The North Vietnamese Army sent their deadliest sniper known as Cobra to take out Carlos Hathcock, but the U.S. Marine held his ground in a tense stand-off

Photo Credits: 1. Bettmann / Getty Images (Blurred, contract decreased, blacks decreased in Canva). 2. Sgt. James Harbour / United States Marine Corps / Wikimedia Commons / Public Domain (background removed in Canva).
Photo Credits: 1. Bettmann / Getty Images (Blurred, contract decreased, blacks decreased in Canva). 2. Sgt. James Harbour / United States Marine Corps / Wikimedia Commons / Public Domain (background removed in Canva).

Carlos Hathcock is regarded as one of the greatest snipers in U.S. Marine Corps history, often compared with legendary sharpshooters such as Vasily Zaytsev, Lyudmila Pavlichenko, and Simo Häyhä. During the Vietnam War, his unmatched precision, stamina, and ability to remain composed under extreme pressure earned him close to 100 confirmed kills—though many historians believe his actual total was significantly higher. His fearsome reputation spread so widely that the North Vietnamese Army allegedly sent its own elite marksman, known as “Cobra,” with a single mission: to track down and kill the Marine sniper who had become a near-mythic adversary on the battlefield.

Carlos Hathcock served valiantly with the US Marine Corps

Carlos Hathcock wearing his US military decorations on his chest
Carlos Hathcock being presented with the Silver Star, 1996. (Photo Credit: Sgt. James Harbour / Wikimedia Commons / Public Domain)

Carlos Hathcock was born in 1942 in Little Rock, Arkansas. Growing up, his family relied on hunting for food, which helped him become skilled with firearms at a young age. He had always dreamed of joining the U.S. Marine Corps, and he made that dream a reality at 17.

In 1966, Hathcock was sent to Vietnam as a military policeman. His exceptional shooting skills stood out to his commanders, and they soon transferred him to Capt. Edward James Land’s sniper platoon—a role he was excited to take on.

Taunting enemy soldiers with a white feather

US infantrymen walking through a field while helicopters hover overhead
US 173rd Airborne Brigade supported by helicopters during the Iron Triangle assault, 1965. (Photo Credit: Tim Page / CORBIS / Getty Images)

Hathcock quickly gained a fearsome reputation, taking down numerous targets. He became known for wearing a white feather in his hat during missions, a bold taunt to enemy soldiers that earned him the infamous nickname “White Feather” among the North Vietnamese.

Due to his lethal effectiveness, the North Vietnamese Army placed a $30,000 bounty on his head, the highest of the war. Many snipers tried to claim the reward, but, as Marty Robbins’ song “Big Iron” says, “Many men had tried to take him and that many men were dead.”

Recounting his encounter with ‘the Apache woman’

Carlos Hathcock standing with his sniper rifle
Carlos Hathcock in Vietnam. (Photo Credit: Carlos Hathcock’s Son, Used with Permission)

Carlos Hathcock’s legacy reaches far beyond his extraordinary skill with a rifle; it also encompasses some of the most chilling and deeply personal stories to emerge from the Vietnam War. Among them is his encounter with a Viet Cong sniper and interrogator known to Marines simply as “the Apache woman.” Her reputation was one of pure terror. She was infamous for torturing captured Americans—often within hearing distance of their units—using methods designed not just to inflict pain, but to break morale. For many Marines, the psychological scars left by her actions proved as lasting as any physical wound.

During one patrol, Hathcock spotted a small group of Viet Cong moving through the jungle. At first glance, nothing appeared unusual—until one figure dropped into a familiar, deliberate kneel. The gesture was unmistakable. Hathcock immediately recognized the feared interrogator he and so many others had heard about. With calm precision, he settled behind his scope, exhaled, and fired a single round. In that brief moment, he eliminated one of the war’s most notorious figures, bringing an end to a chapter of fear that had haunted Marines for months.

Carlos Hathcock vs. ‘Cobra’

US Marine Corps portrait of Carlos Hathcock
Carlos Hathcock, 1959. (Photo Credit: USMC Archives / Flickr CC BY 2.0)

One of Carlos Hathcock’s most famous stories from the Vietnam War revolves around a tense standoff with “Cobra,” a highly skilled North Vietnamese sniper tasked with killing him. Aware of the danger Cobra posed, Hathcock prepared for a life-or-death encounter, patiently waiting for the right moment to strike. While moving through the dense Vietnamese jungle, Hathcock tripped over a fallen tree—just as Cobra fired. The shot missed by mere inches, hitting Hathcock’s spotter’s canteen instead.

Following standard sniper tactics, Cobra quickly changed his position, and both snipers began to relocate. However, Cobra made a critical mistake—he set up with the sun behind him, exposing his location. Hathcock noticed the error, took careful aim, and shot Cobra before he had a chance to fire again.

How many enemy soldiers did Carlos Hathcock dispatch?

Five American soldiers aiming their weapons while crouching in a small waterway
US Army troops preparing to advance on a Viet Cong sniper positions. (Photo Credit: Hulton Archive / Getty Images)

Carlos Hathcock concluded his Vietnam service with 93 confirmed kills, setting a world record for the longest sniper shot, which stood unbeaten for 35 years. Given the methods used to confirm kills during the war, his actual total is likely much higher, with Hathcock himself estimating that he had between 300 and 400 kills. His unmatched skill and precision made him a legend in sniper history.

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Carlos Hathcock is remembered as a heroic Marine Corps sniper who made a significant impact on the Vietnam War. He passed away on February 22, 1999, at the age of 56.

Jesse Beckett

Jesse is a U.K.-based writer for Tank Roar, passionate about military history and storytelling through digital content. With a special focus on tanks and ships, Jesse brings a deep enthusiasm for historical narratives to every piece.